Friday, January 11, 2008

Best Pocket Camcorder And Camera Combo

Patrol East

Director and writer: Amar Laskri
Assistant: Mohamed Bouamari
Director of Photography: Noureddine Guenefi
Montage: Rachid Dabouz
Interpretation: Smain Hajj Hadjadj, Cheikh Noureddine ...
ONCIC Production Year 1972. Black and white. 35 mm. 1:35
Winner of the twentieth Anniversary of the Revolution.
A patrol of the liberation army must cross the eastern border to transport a prisoner to Tunis. The film inspired by a true enabled the director to film his experiences in the bush during the war. Remember he wants to film witness to the life of the maquis. But the descriptive method and a little naive Laskri does not always the goal.
In "Omar Gatlato Meanwhile, looks on Algerian cinema " of Wassyla Tamzali. Editions EN.AP 1979.






Patrouille a l'est - Ma-Tvideo France2
Patrol has is - My-Tvideo France2

Glory Hole In Manchester

Good Families

Written and Directed by: Jafar Damardji
Director of Photography: Boubaker Tourqui
Editing: Mouloud Djemaa
Interpretation: Hassan El Hassani, Khaled Safer, Rabah Chouider, Jafar Damardji
Production Cultural Services of the FLN 1972. 35 mm. Color. 1:30
"The film aims to explain the phenomena dialectically family alliances of the city and countryside, the technocracy and bourgeois property" (from the synopsis published in Film Production Film 1957-1973-Ed . Ministry of Information and Culture, Algiers).
This film has not been exploited so far. We mentionons memo.
In "Omar Gatlato Meanwhile, looks on Algerian cinema " of Wassyla Tamzali. Editions EN.AP 1979.

Chocolate Brown Accent Wall Bedroom

Wars Of Liberation

Director: Farouk Belloufa
Editing: y. Khodja Hamid Djellouli
Music: Piccioni
Comment: Ahmed Fadhel
Production: Ministry of Information. Executive Producer CAC Year 1972. 35 mm. Black and White. 1:30
It is a bit embarrassing to fill the data sheet for this film. Farouk Belloufa had indeed made a film based archival materials purchased after the film made in France from the book by Yves Courrière " The war in Algeria." This work, entitled "Liberation " placed the Algerian war of liberation from a historical perspective linking the October Revolution to the struggles of national liberation in Asia and Africa.
the producer (the Ministry of Information) estimates that the film did not meet his vows and made up this document he then called "The War of Liberation . We can say immediately that the new title (and final movie) reveals at least much less ambitious than the original draft Farouk Belloufa. On the publication of the Ministry of Information: Cinema Film 1987-1973, the producer's name does not appear. And also it refuses to recognize " The war of liberation" as his film. This shows how difficult it was to fill the sheet of film has changed titles, which no longer exists and the director denies the paternity. The film it is possible to see a documentary is "honest" about the Algerian war of liberation.
In "Omar Gatlato Meanwhile, looks on Algerian cinema " of Wassyla Tamzali. Editions EN.AP 1979.

Swollen Face Headache

Noua

Director: Abdelaziz Tolbi
Scenario: Abdelaziz Tolbi, adapted from a novel by Tahar Ouatara.
Cameraman: N. Abdel.
Editing: Aladjali Meddad-Rezzab
Interpretation: Non-professional production
RTA. Inflated 16 mm to 35 mm. Black and white. 1972.
This beautiful film Abdelaziz Tolbi-and the only one that day was made for television, in favor of a "spring" born of the battle for the Agrarian Revolution. Television officials had to appeal to young filmmakers left in the inaction thus far, in order to image the campaign launched by the government. The story begins on the eve of November 1st, in a village of Aures living in abysmal squalor. Against the poor there is the colonial administrators and Algerians owners. It's also the love story of Noua, the daughter of Taleb and poor laborer's son. The scenario places the highly intelligent young people escape the night of the reconciliation of the tribes. French against the oppressor, the farmers come to realize that they must unite and cut down the tree on the night of discord. By its rigor and beauty, this film brings to the cinema Algerian a tone, a quality he lacked.
In "Omar Gatlato Meanwhile, looks on Algerian cinema " of Wassyla Tamzali. Editions EN.AP 1979.

Merilyn Sakova Jumping Around

Near Saf Saf

Director: Moussa Haddad
Scenario: Othman Ameur
Director of Photography: Smatt Mohamed Abdellah Nounedjar
Editing: Tewfik Soltan
Interpretation: non-professionals.
Production RTA. 1972. Black and white. Invertible. 16mm. 1:00
Slimane decides to dig a well and use it for the money he sends his son emigrated to France. His wife want it, spend the money to marry the boy. Despite the objections of his wife and the villagers, the peasant begins work. But as he is alone and has few resources, is one day of the accident. The village people finally understand that the result of Slimane is also theirs, then they are doing the rescue. This moral tale is the first feature film produced as part of the agrarian revolution launched by the RTA. This is one of the best. He placed among Moussa Haddad hopes of Algerian cinema.
In "Omar Gatlato Meanwhile, looks on Algerian cinema " of Wassyla Tamzali. Editions EN.AP 1979.